• HOME
    • not to get un-lost
    • Untitled
    • untitled durational performace
    • panoramic of the hudson
    • small dance collaboration
    • dead horse bay
    • pleiades
    • osh eefe // elle eefe
    • anonumen
    • interference
    • concentric
    • aerial view
    • impossible landscape...
    • champions
    • equidistant point of departure...
    • the inside is darker...
    • holes in the sky
    • more amor
    • imagining non-human as human
    • 3 mutable things : haiku
    • sub plexus
    • the idea of ever...
    • the landscape of sleep just before waking
    • the land
    • patterns of flying
    • below the blue
    • i go on a journey...
    • blindspots frontier's gate
    • george
    • tiny points of light
    • self portrait
    • untitled 1
    • untitled 2
    • untitled 3
    • my first
    • each observing the other
    • the protagonist
    • Sound
    • embodied presence
    • PERFORMANCE EXPERIENCE
    • performance advising
    • film experience
    • artist statement
    • cv
    • artist bio
    • contact
Menu

Sarah White-Ayón

  • HOME
  • DANCE
    • not to get un-lost
    • Untitled
    • untitled durational performace
    • panoramic of the hudson
    • small dance collaboration
    • dead horse bay
    • pleiades
    • osh eefe // elle eefe
    • anonumen
    • interference
    • concentric
  • VIDEO AND PERFORMANCE
    • aerial view
    • impossible landscape...
    • champions
    • equidistant point of departure...
    • the inside is darker...
    • holes in the sky
    • more amor
    • imagining non-human as human
    • 3 mutable things : haiku
    • sub plexus
    • the idea of ever...
    • the landscape of sleep just before waking
  • POETRY
    • the land
    • patterns of flying
    • below the blue
    • i go on a journey...
    • blindspots frontier's gate
    • george
    • tiny points of light
    • self portrait
    • untitled 1
    • untitled 2
    • untitled 3
    • my first
    • each observing the other
    • the protagonist
  • SOUND
    • Sound
  • OTHER WORK
    • embodied presence
    • PERFORMANCE EXPERIENCE
    • performance advising
    • film experience
  • INFO
    • artist statement
    • cv
    • artist bio
    • contact
  • my own skin

    turning me inside out

    spoke frankly

    of pleasure

    and its recourse

    where all is absorbed

    in the presence

    of another

    where it is soft

    the field of white

    refuses a spectrum

    where it is dense

    so does the field

    of black

  • here

    suspended

    without walls

    looking for direction

    the gravitas of ground

    elide

    this time it is the moving

    of memory lapse

    we created a real that is no longer

    transparent

  • the walls around me

    scatter.

    their particles,

    dispensed with geometry,

    fade into

    a white surround

    sequin-toned voices

    condense the emptiness

    into a

    pulsing, whorling,

    metal-tinged

    polyphony

    of robot insects

    searching for the one

© 2025 sarah white-ayón. all rights reserved.